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Usually ships in 1 business days | | | In this long-awaited, lavishly illustrated book, drummer Layne Redmond presents an empowering narrative history of the sacred drum in the ancient Goddess civilization, using her extensive collection of images gathered during more than five years of research and travel in the Mideast and Europe. 80 photos & drawings. | | | |
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| | Product Details | | Author: | Layne Redmond | | Paperback: | 224 pages | | Publisher: | Three Rivers Press | | Publication Date: | May 27, 1997 | | Language: | English | | ISBN: | 0609801287 | | Package Length: | 9.13 inches | | Package Width: | 7.32 inches | | Package Height: | 0.94 inches | | Package Weight: | 1.06 pounds | | Average Customer Rating: | based on 16 reviews |
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| | Customer Reviews | Average Customer Review: Write an online review and share your thoughts with other customers.
1 of 1 found the following review helpful:
Just ok Oct 20, 2007 It was alright but not my favorite book. The author has a very strong bais for women & against men that comes across in her writing, which is what most turns me off from her work.
Layne ignores all the African history of rhythm (the title does claim "a spiritual history of rhythm"). Since most of what I've read from the African tradition is from males, I'm not surprised at the ommision.
I disagree with the idea that the "first" drummers were women. I believe rhythm is as old as life & that humans, regardless of gender, have been participating & enjoying it naturally whether through drumming, clapping hands, clicking sticks, or stomping feet while sitting or dancing.
0 of 1 found the following review helpful:
you should hear some frame drums being played Sep 02, 2007 Some (most?) of the historical antecedants quoted by Redmond about matriarchal societies in the past may be rather dubious. Of quite uncertain scholarship or attribution. And this has been amply echoed by other reviewers. But if you can look past some of the mystical musings, there is a nice synopsis of frame drums and how they have arisen independently in different societies over time.
However, the book by its very nature, cannot convey a full appreciation of its subject. If you have never heard a frame drum, then it looks just like a very simple, open ended, handheld drum. Surely such a thing could only produce one note? Yet, recently, I had the pleasure of hearing a former student of Redmond's play in a Long Beach coffeehouse. The student played solo; she sang and for each song, used a frame drum. Making each drum emit several notes, in a syncopated manner that was quite pleasing to the ear. Though solo, it seemed like the singer was accompanied by a separate drummer.
In this light, the book's explanations of frame drums can be better appreciated. Along with the photos of various drums. They look simple enough. But there are subtleties to how richly they can be played, that Redmond's text can only allude to.
When the Drummers were Women Mar 20, 2007 I totally recommend anything by Layne Redmond. This book is really good and is a MUST read for women on an earth based spiritual path, as well as for women who are into drumming.
Please consider her cds also. :::::smile:::::
31 of 32 found the following review helpful:
A Treasure! Jul 28, 2004 RE: simplistic feminist fluff??? Someone has a problem with successful women!!!
Let's get some facts about Layne Redmond down here:
Drum! Magazine readers (a rocker's mag, predominately read by young males) in 2002 voted Layne Redmond Percussionist of the Year, her album Trance Union, Percussion Album of the Year and her video, Rhythmic Wisdom, Percussion Video of the Year. In 2003 they once again voted Trance Union, Percussion Album of the Year. In 2003 the editorial staff of Drum! listed Layne Redmond as one of the 53 Heavyweight Drummers Who Made A Difference in the 90's, along with drummers like Tony Williams, Roy Haynes, Zakir Hussain, Elvin Jones and Micky Hart. By the way, she is the only woman on this list. Drum! Mag readers are well known for being into simplistic feminist fluff!
She was the first woman to have a Signature Series of world percussion instruments with Remo, Inc., one of the world's largest manufacturers of percussion instruments. She has been a soloist at the Touch Festival in Berlin, Seattle Bumbershoot Festival, the Institute for Contemporary Art in London, Tambores do Mundo in Brazil, the 1995 World Wide Percussion Festival in Brazil, and the Vienna International Percussion Festival in 2001. In Nov. 2004 she'll give a scholarly paper on Ancient Greek Percussion and also a hands on clinic, fusing Middle Eastern and Brazilian rhythms for tambourine, at the Percussive Arts Societies International Conference (PASIC 2004). Another group of people well known for their simplistic feminist fluff leanings.
In terms of her spiritual connection to the frame drum she has taught or lectured at Andover Newton Theological School, Hartford Seminary, the Unitarian Conference, St. Catherine's College in St. Paul and the Jewish Renewal center, Elayt Chayyim -- well known for their feminist fluff leanings.
I came across Layne Redmond in my research for my doctoral thesis on ancient music back in 1994 and have followed her career with interest ever since, actually writing a number of articles about her work. Her book, When The Drummers Were Women is invaluable, no where else are the images of the ancient Mediterranean women drummers held in a collection. Only a drummer of her depth and skill could have gleamed as much information from the ancient images of drummers as she did. I was fortunate to hear her lecture and perform at PASIC 2000 on Ancient Egyptian Percussion and I was also able to attend one of her rituals with the Mob of Angels in a cave in upstate New York along with 750 other men, women, and children. I don't think anyone there thought they were participating in light feminist fluff.
Her new cd, Invoking the Muse, shows how beautifully she has used her ancient research and her writing skills as a source for the creation of nine sophisticated, brilliant compositions, performed by some of the most successful and popular musicians in contemporary classical, jazz and world music. As for her writing as Library Journal put it: "Well documented, with an excellent bibliography, this multifaceted study will have great appeal for all readers . . " I recommend her website: www.LayneRedmond.com, a really a great resource and I'll let the New York Times wind this review up:
Layne Redmond is a superb percussionist!
The New York Times, James R. Oestreich, 1991
14 of 15 found the following review helpful:
What We Lost When God Killed the Goddess Jun 02, 2004 May I tell you about a wonderful, mind-expanding, and heart-expanding book I have recently read called "When the Drummers Were Women"? With lavish illustrations and photographs, meticulous research, and a cross-cultural perspective, author Layne Redmond (a master drummer/teacher herself) gives us a thorough and thoroughly human look at the Goddess cultures and religions which were destroyed by the violently patriarchal Indo-Europeans roaring out of the steppes of central Asia to found the late-prehistorical and historical cultures and religions of Europe, Asia Minor, the Middle East, Persia, and India. Layne traces the mythology of the Goddess religions as the Goddess is raped and subjugated by the male gods of the Indo-Europeans. The so-called Western Tradition has quite a different look from the perspective of the cultures, religions, and philosophies which it destroyed in its ascendance to world domination. It's also possible to read and absorb it in small pieces, which is a real advantage for sick or busy people. While this book would not appeal to guns-and-football men or religious conservatives, it makes a good and fundamental source of information for readers who wish to consider themselves to be educated. This book lies in the new "Inclusive History" movement, in which events are selected and portrayed to show multiple viewpoints. This approach contrasts quite sharply with the enormous bias shown in the selection and portrayal of events in the "Exclusive History" writings of the victors. Thus, for those who have not been fortunate enough to attend schools where "Inclusive History" textbooks are used, this material helps to correct biased representations and to fill vitally important gaps in a lifetime learner's knowledge of The Human Experience.
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