| |
Shop
| |  |
|
Best Sellers
| | Home The Ultimate Live Sound Operator's Handbook (Hal Leonard Music Pro Guides) | |
|  | |  | | | The Ultimate Live Sound Operator's Handbook (Hal Leonard Music Pro Guides) | | | | | SKU:
3_1423419715 | | In Stock | | Availability:
Usually ships in 11-17 business days | | | | | | The Ultimate Sound Operator's Handbook is written to specifically address the concerns and needs of sound operators of all types. High-quality audio is imperative, whether you're running sound for a rock, country, punk, or jazz band performing in clubs, arenas, or outdoor parks. With the advent and implementation of large-budget multimedia presentations, high-resolution multichannel audio for movies, television, and downloads, any live act must sound great to be well received by today's increasingly savvy audience members. This comprehensive handbook focuses on each aspect of live sound in a way that is straightforward and easy to understand, breaking the process down into principles and practices that assist the modern sound tech in everything from planning and budgeting to mixing and recording the live show. | | | |
List Price:
| | |
Our Price:
| $39.99
& this item ships for FREE with Super Saver Shipping.
| |
You Save:
| |
| | |
|
| | Product Details | | Author: | Bill Gibson | | Paperback: | 384 pages | | Publisher: | Hal Leonard - Music Pro Guides | | Publication Date: | May 01, 2007 | | Language: | English | | ISBN: | 1423419715 | | Product Length: | 11.0 inches | | Product Width: | 8.55 inches | | Product Height: | 1.0 inches | | Product Weight: | 3.0 pounds | | Package Length: | 10.8 inches | | Package Width: | 8.4 inches | | Package Height: | 1.1 inches | | Package Weight: | 3.15 pounds | | Average Customer Rating: |  based on 12 reviews |
| |
| | Features | Series: Technical Reference Publisher: Hal Leonard - Music Pro Guides Medium: Softcover with DVD Author: Bill Gibson Width: 8 Length: 11 384 pages
| |
| | Customer Reviews | Average Customer Review: ( 12 customer reviews )
Write an online review and share your thoughts with other customers.
Most Helpful Customer Reviews
21 of 23 found the following review helpful:
 same problems as church sound version Feb 14, 2008
By Chip Sams
Nearly all of the content of this book is a verbatim copy of the same author's The Ultimate Church Sound Operator's Handbook (Hal Leonard Music Pro Guides), and contains the same errors, omissions, and contradictions that the informed reviewers have noted in their critical reviews of the church version. In short, the book promulgates a host of audio misconceptions, ranging from the common to the bizarre, each of which leads directly to bad sonic results, unsafe conditions, wasted money on bad equipment buying decisions, embarrassment, and a prolonged learning curve over that which would be required if the reader chose her or his reading more carefully. There is simply no reason for the consumer to waste money and time by learning audio wrong, and then having to relearn it correctly, when there are many far superior books on the market.
For those who are interested, the similarities between the "live" and "church" versions of the book are as follows:
Chapter 1 and 2 are the same in both versions with only slight changes in terminology and a few additions in the church version.
Chapter 3 of the secular version is the same as chapter 6 of the church version (Volume Issues).
Chapter 4 of the secular version is the same as chapter 8 of the church version (Sound Theory).
Chapter 5 through 18 of the secular book are equivalent to chapters 9 through 22 of the church book (almost word for word the same).
Folks who desire to learn audio from reliable sources should consider Davis's The Sound Reinforcement Handbook, and/or Stark's Live Sound Reinforcement, Bestseller Edition (Hardcover & DVD). Other beneficial resources include Everest's Critical Listening Skills for Audio Professionals, Eargle's Music, Sound, and Technology, and for the definitive reference, Ballou's Handbook for Sound Engineers, Third Edition. For what it's worth, a fourth edition of the latter book is rumored to be on the way by the end of the year. Suffice it to say that audio is a technical subject, albeit one that suffers from a disproportionate amount of uninformed commentary from self-styled "experts." If the sound of your concert, church service, or other event matters to you, or if you plan to make a living providing sound reinforcement services, then it pays to be careful who you listen to, and what you read, about the fundamentals of audio.
11 of 15 found the following review helpful:
Not recommended Jul 10, 2007
By STS
"Tom"
Chapter 5 describes using an AC ground lift adapter - a most dangerous, potentially fatal and incorrect way to deal a hum and buzz issue (besides being in violation of the NEC). This is just the beginning of some of the serious flaws with this book. "Ultimately" I think this book does a serious disservice to live sound operators. I have been involved in professional audio since 1986 and I would not recommend this book. The other book written by Mr. Gibson, "The Ultimate Church Sound Operator's Handbook" unfortunately has the same issues. Great looking book, though. I am returning it to Amazon.
1 of 1 found the following review helpful:
Too much self-promotion Jan 07, 2012
By Knopf player
Read the other reviews critically. The negative reviewers carefully lay out their case for why they disagree with the advice given in this book. On the other hand, two of the 5-Star reviews are from the author himself (why is THAT allowed?) who doesn't address any of the criticisms, and the others are vague endorsements with nothing more than fluff for content. I trust the advice of the first group much more than the latter.
2 of 4 found the following review helpful:
 A good tool for training Apr 08, 2008
By Thatfeller
"TF"
This is a good book. Like the man says, it's for operators, not engineers, and there's a meaningful difference between the two. When I train my team, this will be part of my training tools; it doesn't substitute for hands-on time with the sound system, and it doesn't substitute for hands-on time with an experienced sound guy.
I recommend to my trainees that they pick up a copy of this book and leave it on their toilet tank, where they read a few pages every day, and think about how to make use of what they just learned when they're working with the system.
For the record, Bill's methods for running sound aren't 100% in line with mine (I've been doing this for 30 years), but they are trustworthy, they are likely to be effective, and they're presented in a way that makes sense for wannabe sound operators and techs. Good job, Bill!
The "Qualifications" and "Duties" sections alone are worth the price of the book. It's good material, presented well, and while it won't substitute for hands-on experience, it's very useful.
0 of 1 found the following review helpful:
Jumpstart Soundman Feb 03, 2012
By ford2012
It depends on who is buying whether it is the right book. It is well written. Would have been great to have had in the 1970's and 80's. I was disappointed at its over-simplification, BUT there is always a bright side and here it would be to retrace, refresh and strengthen basic ideas (and memories) and then pass the book on to your nephew who has a penchant for music. Which as it turns out is just what I am actually doing. Beginners? Good book, clear enough ideas and concepts, buy it!
See all 12 customer reviews on Amazon.com
| |
| |
| |  | |  |
|
Recently Viewed | You may also like ...
|
