I have repeatedly heard the same 3 or 4 book titles mentioned as a "must have book" for anyone in the buiness. In my opinion "Songwriting for Dummies" blows the others away by simplifing many of the industry's mysterious and confusing terms while not striking fear into the heart of the rookie artist that is trying to grasp the many issues that are involved within the music business.

I read much of "Songwriting for Dummies" on my airplane ride home from a music conference I attended on the west coast. By the time the plane touched down I had a read much of the book and had written a new song for my next compilation that had come to me during that same flight. The song was written spontaneously on the 2 white, paper bags that were conveniently stored in the seat pocket in front of me, compliments of the airlines. This was a suggestion I followed from the authors on how to manage times when inspiration hits and one is without paper.

Later that month, I received an offer from a highly reputable company that required me to have some knowledge of what to ask in negotiating a contract as well as typical compensation. Luckily, I had my "Songwriting for Dummies" handy and was able to compare the information in the book to my offer to determine if it was fair and whether the typical legalities were addressed in the contract. Not only did I get a fair deal, I came across in a confident manner that enhance the contract relationship on both sides.

I suspect that future music conventions will be adding this fresh-to-the-market book to the top of the list of must-haves.....both for new comers and veterans in the biz.

Valerie Nager
EquinoxxMusic Producer

35 of 37 found the following review helpful:


Great beginners guide, examples aside  May 15, 2004 By Beau J. Randall
For what it is and what it's meant to achieve, I would give this 5 stars. It covers all the bases in just enough depth to get one's feet wet so as to not tune the average reader out. One might argue some things could be embellished upon and others really aren't about the art of songwriting itself - for instance the chapters dealing with the business end of things vs. a somewhat brief chapter on chord structure. I feel a 'Dummies' book isn't so much educational as it is to point you in the right direction - you may find the realities of the music business change your attitude toward songwriting. It's nice to have the basics all laid out on the table before you start investing yourself.

Where I fault this book is in the song examples covered. For the under 30 demographic, which I imagine this book is targeted at, the examples here are rather obscure. A good three quarters of them are from the 70s and earlier. That in itself I don't have a problem with, but where's the Zep, Hendrix, Who, Doors, Floyd, Beach Boys references? Aside from the Beatles and Berry and Elvis, there's not much mention of songs that would be indelible in a young person's mind, IOW, bands that made a huge social impact. Same with the newer stuff but it's even more spotty here, little mention of the likes of that class from a decade ago of Nirvana, Smashing Pumpkins, etc. - Train and Nickelback groundbreaking? Huh?!? My ears must have turned inside out. And one of the authors (a guy who co-wrote Eye of the Tiger), mentions his songs in examples ad-nauseum. It's one thing to casually mention some here or there to get his perspective as the writer, but IMO this comes off like a sleazy ploy to pump up royalties. I say this not as a fan of the all the bands or eras of music above but simply to illustrate the irony in what is preached by this book, that in which the successful writer should make his best effort to connect with her audience. I guarantee picking apart Survior and 38 Special songs is not the best avenue to achieve this.

All in all, this book is great info, just full of little things that might make you go 'hmmm'.

30 of 33 found the following review helpful:


Smart Book for the Songwriting 'Dummie'  Dec 09, 2004 By Mike Sarzo
I bought this book when a musician friend recommended it to me. As someone who writes lyrics and who doesn't have even the most basic knowledge of musical terminology, I was looking for something that wasn't too technical and something that wouldn't completely confuse me when I tried to read it. This book definitely fit the bill.

Songwriting for Dummies isn't perfect. It could have done without all the self-promotion of Survivor and 38 Special and it could have done with more late '60s, early '70s music. I was disappointed to find that Stevie Nicks was mentioned in connection with "Bootylicious." Plus, the more technical explanations of writing music caused me to skim over a couple of the chapters. But the overall package gave me what I was looking for.

Despite going through a long period when I would start reading a book, put it down and then forget about it, I concentrated on reading this book and finished it in a matter of days. I enjoyed picking it up and reading it and going back over certain chapters again when necessary.

If you want to find a book that covers chord progressions in great detail, this book isn't for you, but if you want something that touches on the basics of lyrics and melodies, plus gives you an example of the kind of artist rights issues many songwriters face, this is a good reference.

17 of 19 found the following review helpful:


A Book Written by Dummies  Nov 02, 2006 By Roger Beickel "Amature Musician"
This book should have been entitled how to sell your song writing professionally. This book has little to do with creating or writing music. The title is very misleading and I feel like I just flushed a wad of hard earned money down the toilet. About the only thing useful in this book is some of the information on how to get your music noticed and circulated, which doesn't interest me since I have no ambition to become a professional musician.

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