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35 of 35 found the following review helpful:
SIMPLY THE BEST WAY TO LEARN BLUES HARMONICA Feb 28, 2001 I really enjoyed this book. Jon really understands what the blues, and particularly what blues harp is all about and knows how to explain it to you in an exciting and interesting way. Much of the essence of the book seems to be that blues is about creating and resolving tension by knowing which draw notes to accent- (particularly in 2nd position.) I realize that he isn't the first to "define" blues in such a manner, but rather the first author to clearly show you how each note can be used to effectivly create and resolve tension so essential in this style of playing. I also liked the emphasis on good tone. Clear tone after all, can make the difference between mediocre playing and excellent playing. Finally, what I really enjoyed was the CD that comes with the package, which allows you to shut off the instruction and jam with the band (or shut off the band and listen to the instruction). Jon has a really exciting-somewhat offbeat teaching style that really makes it fun to learn from. This book is not big on theory-though he generally teaches you enough to get by. ( for more a great introduction to this very important subject I highly reccomend reading "Music Theory Made Simple", by David Harp. I would have liked to have seen some more information of position play..particularly third position. (..sorry...I just can't seem to get enough of those minor blues!)For those serious about learning blues harmonica this is no doubt the book to get. Highly, highly reccomended.
66 of 73 found the following review helpful:
fun as hell. start jamming on day one! Mar 31, 2004
By Campbell Roark
"tri-zeta"
Wow. I'm glad I went out on a limb and bought this. It's worth it for the CD alone. The book is a nice aid as well, but, ummm the whole caveman blues-band narrative is a tad cheesy, and would be a little racist (a white, Tarzan-esque hijacking of what is essentially a black music form) if it weren't so obviously bone-headed. Oh stop, I can't help with the cultural analysis. It's a reflex at this point. at least you don't have to sit with me in a movie theatre...Back to the point, I would go so far as to guarantee that if you simply play along with the CD and skim the book, just spend about 20- 30 minutes a day, you will MASSIVELY improve in skill. And the harmonica sounds really damn good on the CD- which makes you try harder. You want to be that good. Oh- Learning to Bend the notes on holes 2 and 3 takes TIME. I still can't hit them all when I need to. But I can jam along with my favorite tunes by Mandrill, The Clash, The White Stripes, and many others... I feel like I have bounced months ahead in 2 weeks' time! I don't know about or own any other 'teach your self blues harp,' guides, because this one is working so well I haven't felt the need to purchase another. I enthusiastically reccomend this without reserve!
52 of 57 found the following review helpful:
the one to get first! Jul 08, 2004
By jed clampett
"michael mclaughlin"
I see that this book has 5 stars and over 30 reviews so I hardly have to convince any one of how good it is. The author is obviously a heck of a good guy and he talks you through all the techniques and riffs in the book. The fact that he is not only a great harp player but also a great teacher makes this book and cd worth it's weight in gold. Another great section of the book is the extensive list of albums that feature harmonica with every track listed along with the key the harp is played for every song on the album! I got myself a Hohner Special 20 harp which is Jon's top recommendation on his website. This is an updated version of the Marine Band and is easier to bend notes on than that. Make sure you don't pay too much for one of these harps, about 20 bucks is about right. I saw a catalog for homespun that had the Lee Oskar harps (also recommended and quite similar to the Hohner Special 20) for sale for 37.00 which I guess is list price. Yikes! Like I mentioned, the special 20 and the Oskar is about 20.00 if you go online or to the big guitar outlet place that's all over the place. Anyway, thanks Jon, I'll soon be getting your Americana book with the 2 cds. The Blues Harp collection (different author, but also on amazon) is also a fantastic book although of course you'll have to get at least a Little Walter and a Sonny Boy Williamson album to hear alot of the tunes transcribed in this book. I got the versions called "His Best" of both of these guys. One other book that is no less than amazing is the Bluegrass Harmonica by Mike Stevens (also available thru Amazon) Don't pass this by because you may not be into bluegrass, it's got quite a few traditional melodies and originals by Stevens but the main thing is the technique involved is incredible. It involves bending like in the book reviewed here but it goes a bit further into bends and a somewhat advanced technique called overblows which together will teach you to get every note available out of a regular diatonic harp. Also with a cd and again, the tunes and technique here are not to be missed. The bending involved for the tunes in this book is probably more challanging than for blues harp playing. One other book that is not blues but will teach you some great traditional American and Irish fiddle tunes is the one by Glen Weiser. What's great about this book is it doesn't involve bending at all but the tunes are challanging and complex enough. Again, not the blues but a way to expand your mastery of the harmonica with some great tunes.
20 of 20 found the following review helpful:
Learn... Jun 26, 2001
By J. Daily from the ground up with this one. Gindick tells and explains all. From how to choose a harmonica to helping you pick a mike and amp to play live with by the end. You cant go wrong here. Not too heavy on theory(and thats probably a good thing, most original bluesmen couldnt read print, much less music)....why let it get in the way of good music? However he does give you a foundation and the vital I-IV-V blues progression. Laymans terms though, nothing to technical. Using his fictitional tribe of ancients who just discovered a harmonica, he lays it all down for you. He boils blues harp down to its basic feeling, that it is a language of tension and release, something you have to feel and live. He gives you all the basics: individual notes, chords, too numerous to mention techniques, even a couple of pages on harp repair. What I like is his inclusion of not only simple songs and how to spruce them up with your new found techinques, but actual blues licks that can be used to improv with or to use when playing along with a garage sitdown or eventually a stage jam. So many instuctionals leave this out. The indexed 74 track play along CD instructional is the kicker. It actually lets you hear how you should sound. Allows you to get the tone down that is so hard do on your own when just starting out. Even lets you turn the band accompaniment or the harmonica sound off, so you can hear just what you need. The only thing that keeps me from giving this 5 stars is that the CD is a little disjointed from the book. I wish it would have more closely followed it. Probably a 4 1/2.
15 of 15 found the following review helpful:
Frustrated harmonica players take notice Apr 04, 2001
By Tim Castleman Frustrated harmonica players take notice - your savior hasreturned. After selling over 1.5 million copies of his various how-toharmonica books (Country & Blues Harmonica for the MusicallyHopeless, Harmonica American and The Natural Blues & CountryWestern Harmonica just to name a few) Jon Gindick is back with hisrevised Rock n' Blues Harmonica book. The first thing you'llnotice is the revised edition is huge. With 226 pages the 8 ½ x11-inch book dwarfs the first edition while sporting a new cover,bigger print, and a binding that allows you to lay the book down whilepracticing without fear of it closing. Not to mention the 74-minutejamming CD, which features tons of examples played over a loopingblues chord. With this edition Jon also goes into greater depth onseveral topics making the revised copy a must, even if you own theoriginal. "The instruction covers almost every topic in harmonicaplaying, and yet continues to focus on the skills a beginnerneeds," said Jon... Jon began playing 30 years ago while workingat a packing plant. The Beatles had overtaken America, includingJon. He played along with pop music on the radio searching for thesounds of the harmonica. His first taste came from Rod Stewart whoplayed the riff on My Boy Lollypop, followed by John Lennon'splaying. This later lead to the blues, with influences Little Walter,Sony Boy Williamson and Big Walter Horton. Soon after he startedplaying frustration set in. "I didn't understand cross harp for thelongest time. Getting it, and the sound, was a revelation,"remembers Jon. It was with that cross harp revelation that hewanted to write books. In 1977 Jon sent his book off to the publisher.Months passed and he still hadn't heard anything; a phone callrevealed that they had lost the book. It was then he enteredself-publishing and Cross Harp Press was born. He printed 2,000 copiesof The Natural Blues & Country Western Harmonica, and sold them tolocal music stores and through Rolling Stone. Several books followedand so did the praise. "If the measure of a book's greatness isits ability to change a readers life, then your instruction books onthe harmonica are great books," said Gene Berk who bought Jon'sfirst book. Jon is able to take learning the harmonica and turn itinto a process. He knows learning is not an easy thing, contrary topopular opinion and acts as a "big brother" through the book andCD. He starts off by slowly teaching some simple riffs and giving thereaders a sense of accomplishment before moving onto harder subjects.His books are very simplistic in teaching but detailed inknowledge. Rock n' Blues Harmonica is no different as Jon expandson several subjects including bending, harmonica positions, tongueblocking, breathing, and slant harp. "I am something of acollector of how-to harmonica books and tapes and I wanted you to knowthat your stuff is the best," said Joe Vitale in a letter toJon. When you've finished the book and want to expand your playingcall Jon at 1-800-646-9245 and get a lesson. Leave him a sample ofyour playing and he'll give you some free feedback. Along with Rockn' Blues Jon has also released a CD entitled Banished Moon. It runs 49minutes through 10 tracks in which Jon plays a majority of theinstruments and supplies the vocals for each song. The CD is harmonicaheavy and showcases his ability to play different styles andpositions. Jon's writing, vocal, and playing skills are superb withsongs like All I Ever Needed, Maxine and Mystery of Your Love. Jonsupplies the key and positions for each song for anyone interested inplaying along...
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