One of the reasons why this book is so fresh is that its author works not just from memory, but from detailed diaries. The tale of his trip west to Hollywood in a broken down jalopy fairly crackles. Genuinely good story telling accents this lively account of the early talkie era. Recommended to anyone who would enjoy a stroll through the inside of Hollywood, spoken by a real movie sound pioneer.

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Behind-the-scenes Hollywood talent SHINES!  Sep 04, 1999 By William B. Seguine
Edward Bernd's autobiography is a wonderful insight into the life and career of a Hollywood talent whose career lay behind the camera.

The book only covers the first half of his life, from his childhood in Chicago to his career as a top sound engineer at Columbia Studios. Bernds' engineering career encompassed the films of Frank Capra (Capra always requested Ed for his team), the many classics of Moe, Larry and Curly, and many major Columbia feature productions through 1945.

The reader is left wanting more, particularly the details of Bernds' new post-1945 career of writer and director for the Three Stooges, the Blondie series, the Bowery Boys and Elvis Presley. But, that's another book. Right, Ed?


Interesting portrait of Hollywood in the early-talkie years  Apr 01, 2003 By Scott MacGillivray
The late writer-director Edward Bernds has become a familiar name to movie comedy fans, through his association with The Three Stooges, The Bowery Boys, the Blondie series, and a host of other comedy stars. But Mr. Bernds made his reputation as a recording engineer during the early-talkie years, and was the number-one sound man at Columbia Pictures until he took on more creative duties.

This book chronicles Bernds's early years, from his first radio jobs through his successful association with director Frank Capra. Bernds was a stickler for accuracy, and drew upon his old diaries to confirm his excellent memory for facts and faces. He was just as careful to spell things out for the reader, explaining a technical process or a business practice to amplify the point he was making. Bernds's attention to detail makes for good, solid reading.

This writer was disappointed that the book stops when the author stopped working as a soundman. But it's understandable because Bernds, in his thoroughness, would have written a mammoth volume if his entire career were to be discussed. Joseph McBride recognizes the "missing" material by appending a more general interview with Bernds, conducted by McBride and Leonard Maltin.

Film buffs and historians will enjoy "Mr. Bernds." For those who want Bernds's observations and recollections of his Three Stooges years, read "The Columbia Comedy Shorts" by Ted Okuda and Edward Watz.


A Wonderful Story of Early Hollywood  May 14, 1999 By Ron_Bauerly@ccmail.wiu.edu
Have you ever dreamed you could make it big in Hollywood? Countless dreams have been shattered in this town, but one young man made it, and this is his story. Rarely will one encounter a more modest telling of a life's story. Yet Ed's tale rings so true and so right that you can't help but be drawn in. From making a crystal radio set as a teen, to snaring the top sound position with Frank Capra, Mr. Bernds entertains, informs, and delights us in the telling.

One of the reasons why this book is so fresh is that its author works not just from memory, but from detailed diaries. The tale of his trip west to Hollywood in a broken down jalopy fairly crackles. Genuinely good story telling accents this lively account of the early talkie era. Recommended to anyone who would enjoy a stroll through the inside of Hollywood, spoken by a real movie sound pioneer.