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Hollywood Rhapsody: The Story of Movie Music, 1900-1975

Hollywood Rhapsody: The Story of Movie Music, 1900-1975
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Hollywood Rhapsody: The Story of Movie Music, 1900-1975

 
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NU-BNT-00245306

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This engaging text presents the history of songs and scores highlighted with personal history of their creators.

 
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Product Details
Author:Gary Marmorstein
Hardcover:456 pages
Publisher:Schirmer
Publication Date:December 03, 1997
Language:English
ISBN:0028645952
Product Width:160.0 centimeters
Product Height:239.5 centimeters
Product Weight:1.7 pounds
Package Length:8.8 inches
Package Width:5.9 inches
Package Height:1.4 inches
Package Weight:1.35 pounds
Average Customer Rating: based on 3 reviews

Customer Reviews
Average Customer Review:5.0 ( 3 customer reviews )
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Most Helpful Customer Reviews

4 of 4 found the following review helpful:


5The book is intriguing, and very well written!  Jul 19, 1998
It is facinating to read about the behind scenes history of our most famous movies, and the men and women who made them. Also, very enlightening stories and facts about Hollywood and Los Angeles.

2 of 3 found the following review helpful:


5I think the it is a very informative and well-written book.  Jan 08, 1999
If you were writing a report on music in the movies, Hollywood Rhapsody should be in your bibliography!!! It's a very compelling and funny factual book about music and the stories about the composers.


5Rhapsody for The Invisible Art  Jan 25, 2009 By Patrick Pritchett
"Hollywood Rhapsody" provides a richly detailed and completely engrossing panoramic history of what is probably (along with film editing) the most neglected aspect of moviemaking -- its music. It's like taking a behind-the-scenes tour of how your own internal dream soundtrack got built, collaged from dozens and dozens of scores and songs, ranging from the unforgettable to the maudlin and kitsch. The research is superb and fully annotated, yet the narrative flows effortlessly, like a great conversation, mixing the history of the film business, technical innovations, and the impact of European emigre composers on Hollywood with often ribald anecdotes. My favorite is the story about how David O. Selznick butted heads with Dmitri Tiomkin over "the orgasm music" for Jennifer Jones in his camp masterpiece, "Duel in the Sun." Though it closes around 1975, just as John Williams is staging the triumphant comeback of orchestral scores, the book has the feel of an elegy for a now vanished era of lyrical wit and melodic invention which the success of Disney's recent musicals has done little to overcome. For anyone who loves movies, the American songbook, or cultural histories of popular art forms, this book will amply award your attention. A terrific read!

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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