A must read for rock or any music fans.

5 of 5 found the following review helpful:


One of the greatest 'Rock' books of all time  May 04, 2000 By Greekfreak
I truly can't say enough about this book. It's an incredibly informative piece of work, insightful in so many ways other than simply the rock industry--although it has a lot to say about that too. But the the story of Bill Graham's life is far more entertaining than any self-indulgent 'memoir' you can possibly think of.

You don't have to be a music fanatic to love this book; just a human being is enough. But for a behind-the-scenes look at Woodstock, Altamont, Live Aid, Amnesty Internation, the Stones various tours, CSNY, Santana, the Dead... you can't get anything that compares to it.

RIP Bill. You definitely deserve it.

10 of 12 found the following review helpful:


A Fascinating Perspective On The Fillmore Era  Mar 30, 2005 By Frederick J. Decker "Fred Decker"
Bill Graham is the rock promoter most famous for operating the leading rock and roll theaters of the late sixties and early seventies, including the original Filmore auditorium in San Francisco, the Fillmore East in New York, and the Fillmore West, (a different building in San Francisco.) The Fillmore period was sort of a golden age of rock and roll. Graham was able to present virtually all the cutting edge bands of the time, including some acts, like Santana and the Allman Brothers, before they even had their first record out. Rock and roll shows had never received the kind of attention to detail and respect for performers and audiences that Graham brought to the Fillmores. Graham presented a variety of music, including blues and jazz, although the headliners were almost always top draw rock and roll acts. Many artists took advantage of the Fillmore's reputation to record live albums there. In fact, according to this book, 58 albums were recorded at the Fillmores and 17 of them were certified gold. The Fillmores also became gathering places for the music industry. Graham was more than just a first hand witness to this era, he helped to create it. The Fillmore sections of this book are a fascinating examination of how the Fillmore came into existence, how the musicians felt about playing for Bill Graham, how the booking policy of the Fillmore evolved, and finally why Graham closed the Fillmores at the peak of the their success.

In addition to Graham's own memories, there are memories of his contemporaries as well which round out the story. Italics are overused in attempt to make the writing sound like a transcription of someone talking, but this is only a minor irritation. Consider the following quote from Pete Townsend which is taken from the book: "(Graham) gave us dignity. We felt we weren't the pop plebes we had been when we went out with Herman's Hermits and we were told to shut up and get in the back of the bus. We were dignified people. We were artists."

Graham's opinions are fun to read. Who was the best act he ever saw? (Otis Redding) Who was the biggest pain in the neck? (Crosby, Stills, Nash and Young).

Of secondary importance, but still fascinating, an added bonus really, are Graham's memories of his childhood escape from Nazi Germany. Most biographies are boring when the subject's childhood is discussed, but in this case, Graham's family was broken up during the Nazi era. Graham was a small boy and the only member of his family to escape to the United States. He was reunited with his surviving sisters after the war.

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