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Acoustic Design for the Home Studio

Acoustic Design for the Home Studio
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Acoustic Design for the Home Studio

 
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IB-9781598632859

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With the advances in digital technology, musicians can now produce their own music at home. Over the years the gear has gotten much better, and musicians have learned a great deal about recording. So why do so many musicians and engineers have difficulty getting truly professional-sounding results? One reason? Acoustics. If the room you're working in has poor acoustics, it will be extremely difficult -- if not impossible -- to produce excellent results. You can't capture a true sound if the microphones don't hear the instruments and vocals correctly. You have to be able to hear what's truly going on with your tracks to make the proper decisions about editing, equalizing, processing, and mixing them. Acoustics can be a complex, math-laden science, but treating a room to make it sound great and function optimally as a recording studio needn't be difficult nor require hours in front of a calculator or computer screen. Improving a studio's acoustics can be simple and inexpensive -- all you need is some guidance. Acoustic Design for the Home Studio focuses on creating a greatsounding home or project studio in an existing room. It teaches the basic principles of acoustics that affect you in your home or project studio and how to solve any acoustical problems you may have without laying out much (or any) money. Whether you're converting a bedroom, a garage, a basement, or a corner of the living room, this book will help you improve the sound of the environment in which you're making music. The principles are easy to understand and the materials used for treating a room are readily available. Diagrams and photos of actual rooms created with the designs are included to illustrate concepts. Whether you want to pursue a no-cost solution, use "off -the-shelf" acoustic materials, or even splurge with an unlimited budget, you'll learn how to put your room together easily and effectively.

 
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Product Details
Author:Mitch Gallagher
Paperback:246 pages
Publisher:Artistpro
Publication Date:July 01, 2006
Language:English
ISBN:159863285X
Product Length:9.18 inches
Product Width:7.34 inches
Product Height:0.68 inches
Product Weight:1.21 pounds
Package Length:9.0 inches
Package Width:7.3 inches
Package Height:0.7 inches
Package Weight:1.2 pounds
Average Customer Rating: based on 21 reviews

Features
  • Pro Audio Textbook

  • By Mitch Gallagher


Customer Reviews
Average Customer Review:4.5 ( 21 customer reviews )
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Most Helpful Customer Reviews

19 of 19 found the following review helpful:


4Studio for the home recordist on the cheap  Jun 26, 2007 By Lone Centrist
There are a lot of books on setting up and working in a home studio - very few on treating the frequency response - fewer on doing it on the cheap using the room you have. This is such a book. The case studies are useful and after seeing a few, a pattern emerges and the mystique falls away and you realize that its not such a black art and you can do it yourself using various inexpensive materials. I definitely found this to be a great reasource for getting my room response under control while spending just a couple hundred dollars.

This book is a gem.

14 of 15 found the following review helpful:


5Good Studio Design Regardless of your Budget  Oct 19, 2006 By John Matlock "Gunny"
The equipment available today at the 'advanced amateur' level far exceeds that which was available to the professional only a few years ago. But the quality of the recordings being made do not come up to professional standards. Apart from skill at using the equipment, the biggest difference is the studio where the work is being done.

If the sound is being bounced all around the room in an uncontrollable manner, this will be recorded faithfully by the equipment. The equipment cannot distinguish the sounds you want (and hear) but takes in what your ears are rejecting.

This is an excellent book that gives a bit of the theory of acoustics and studio design and then gives practical examples of studios that were constructed using these principles. There are a number of designs described which cover a range in cost from near nothing to designs that you'd better discuss with your wife before you start spending money. Most of these designs do not involve altering the basic structure of the room itself, just panels you might attach and then take down when you move.

This book is an excellent introduction to a fairly arcane subject.

13 of 14 found the following review helpful:


5Tips on getting the most from such a project.  Nov 06, 2006 By Midwest Book Review
It used to be that musicians went to a professional studio to make recordings; but with all the advancements in computer and recording technology, such a studio is affordable for the home - and ACOUSTIC DESIGN FOR THE HOME STUDIO tells how to make a room perfect for the recording sound desired. Tips on how to sound-proof a home or project studio tell how to use an existing room, whether it be garage or bedroom, and provide diagrams, photos of revamped rooms, and tips on getting the most from such a project.

Diane C. Donovan
California Bookwatch

6 of 6 found the following review helpful:


5Getting past the basics  May 11, 2008 By Alex S. Fishburn
Before this book I read Basic Home Studio Design by Paul White. This book was very introductory and helped me get somewhat comfortable with the terminology and some standard ways of treating rooms.

Mitch Gallagher's book was definitely a step up from that. It was much more informative and introduced many ways of treating a room (broadband absorbers, bass traps, foam, ceiling clouds, etc.)

This book will without a doubt help one get associated with acoustics. Read the book in its entirety. The only crucial thing that I don't think it focused on much was how to measure your room yourself (acoustically, for flutter echo, decay time, frequency response, etc.)

But, it does give some information that one will be able to figure out and apply properly with a little internet research.

All in all, a very good book that will be very helpful.

4 of 4 found the following review helpful:


2Light on content  Dec 08, 2011 By Roger More
This book was a disappointment. It is extremely light in content. The text pages have two inch left margins, a huge font and tons of superfluous pictures. There is not much more information in this book than can be had in a single article on the subject. A website article, EQ/Mix/SOS article, or any gearslutz discussion would probably contain 95% of the information found in this book.

Of particular disappointment was the lack of information regarding acoustic design for recording, i.e. tracking. The book focuses on the creation of studios with flat response for monitoring/mixing. The advice can be summed up as: design a better room (which you can't because you're a home studio...) and then add bass traps and some reflective panels. But studios are more than control rooms! I really wanted to learn more about creating "live" rooms for tracking as this is a huge obstacle for the home studio. How live should a room be for tracking various instruments? Stereo vs. mono recording? Vocals? Only on page 165, buried in a case study, do we even get a hint of information regarding tracking when he states, "...will knock the decay down to 0.35 seconds - longer than desired for a control room, but the liveness will allow the room to be satisfactory for tracking as well." Unfortunately this point is never elaborated on. We have no way of judging what defines "satisfactory".

There is a case study on designing a vocal booth but it is again light on information and there is no discussion regarding the efficacy of portable vocal booths or mic stand absorption devices, and no discussion of "no cost" methods such as hanging comforters or going mobile and recording in bathrooms or closets.

Yet I'm rating it as two stars because it is at least comprehensive on what it does cover which is essentially the design of a home control room, and it does at least discuss the merits of various no cost solutions. It's just that the book provides a poor value proposition for this information.

See all 21 customer reviews on Amazon.com
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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